She is close, but not accessible. Private, but not hidden. Familiar, but never fully explained.

We begin with a simple decision: give the subject space.

Direction is minimal: the rhythm, tone, and structure emerge from how she moves, pauses, and meets the camera.

The story forms around her energy — not the other way around. Nothing here is loud. Gestures are small. Framing is partial.

What is revealed feels deliberate, but never complete.

Just as the you begin to feel familiar with her, the distance shifts again. SO FAR SO CLOSE is less about revealing a character and more about staying with that in-between moment — where intimacy comes from restraint, and presence matters more than definition.