THE FELING
A fragmentary record not about discovering something new, but about returning—and realizing that that the experience changes because you do.
Set in the Dolomites, the film observes a shared daily rhythm. People arrive with different intentions, abilities, and moods, yet move through the same space toward a common purpose. The day follows a simple structure — morning arrival, steady movement, quiet repetition, and return — more like a working routine than an escape.
What appears constant is the place.
What changes is the person inside it.
The mountains do not ask for attention or explanation. They offer something closer to familiarity. A sense of safety. A pace that allows both speed and stillness. Freedom not as excitement, but as lightness.
Shot simply, without production or performance, the work is less about capturing the landscape and more about noticing what it allows: calm, focus, and the feeling of being met exactly as you are.
—
Tereza Roháčková
